Marzia Migliora. Velme
From 13 Maggio 2017 to 26 Novembre 2017
Venice
Place: Ca’ Rezzonico - Museo del Settecento Veneziano
Address: Dorsoduro 3136
Times: 10 am - 6 pm (ticket office 10 am - 5 pm) | From November 1st to March 31st 10 am - 5 pm (ticket office 10 am - 4 pm)
Responsibles: Beatrice Merz
Organizers:
- MUVE
- Città di Venezia
Ticket price: Full price 10 € | Reduced 7.50 € | Free: children aged from 0 to 5; disabled people with helper; tourist guides enabled by the Province of Venice and interpreters accompanying groups or individual visitors; for groups of at least 15 people, 1 free entrance (only with prior booking); accompanying teachers of school groups (up to 2 teachers per group); ICOM members; MUVE ordinary partners; Servizio Civile volunteers; MUVE Friend Card holders, holders of “The Cultivist” card (plus three guests)
Telefono per informazioni: 848 082 000
E-Mail info: info@fmcvenezia.it
Official site: http://www. carezzonico.visitmuve.it
Curated by Beatrice Merz, artist Marzia Migliora’s exhibition features her recurrent expressive modes conveyed through a wide range of media, including photography, video, sound, performance, installation and drawing. Her work originates from a particular interest in the daily life of the individual, such as minor occurrences, topical events and personal memories. The result is a composite work that offers the public a shared experience of strong emotional and intellectual participation. For this multifaceted project, Marzia Migliora once again takes her cue from the show’s venue. Attracted by the many connotations Venice evokes, from its complex history to its current contradictions, Migliora links Venetian affairs to those of the working world, with all its many legendary, literary and social implications. The result is a sitespecific project that also dialogues with several of the works from the collection housed in Ca’ Rezzonico’s historic museum building, such as the Mondo nuovo (New World) fresco by Giandomenico Tiepolo and the painting Il Rinoceronte (The Rhinoceros) by Pietro Longhi. In this way, Ca’ Rezzonico is transformed into a meeting point for the historic and contemporary, where the stories appear to us in all their complexity and density of value. The focus is on the horizon and accompanies the decline of an era or, more accurately, various eras. The velma, that gives the title at the exhibition, is the “meeting point” in the relationship between water and land, the symbol of something underwater that never stops emerging, thus becomes “an urgency of the present” and a bridge that connects us with the past.
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