Annunciation
(first floor, room 21)
This picture was painted in Genoa for the chapel of Duke Charles Emmanuel I of Savoy and subsequently sent to Turin, where it had a reasonably successful reception. During her stay in Genoa, Gentileschi learned about the brilliant coloring of the Flemish Van Dyck, this cast in the Tuscan Renaissance classicism and the repertoire of Caravaggio's painting, with spectacular results of refinement.
The Annunciation is considered to be the artist’s masterpiece and one of the greatest religious paintings from the Counter-Reformation of the 17th century. The red curtain draped in the background and the dove of the holy spirit flying in through the window are particularly significant.
ANNUNCIAZIONE ● TORINO ● ORAZIO GENTILESCHI ● ORAZIO LOMI ● GALLERIA SABAUDA TORINO ● ANNUNCIAZIONE ORAZIO GENTILESCHI ● ANNUNCIAZIONE GALLERIA SABAUDA ● ANNUNCIAZIONE GENTILESCHI TORINO ● GENTILESCHI TORINO
COMMENTI
LE OPERE
David con la Testa di Golia
1611 | Olio su tela
L'Assunta
1600 | Olio su tela
Annunciazione
1623 | Olio su tela
Madonna col bambino
1615 | Olio su tela
Sacrificio di Isacco
1615 | Olio su tela
Annunciazione
1622 | Olio su tela
Danae
1623 | Olio su tela | 228 x 162 cm.
Loth e le sue figlie
1621 | Olio su tela | 195 x 157 cm.
Riposo dopo la fuga in Egitto
1628 | Olio su tela | 2 x 1 cm.
Map
Works in Italy
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