The Dreamers: An Echoing I Film Program / Can Altay / Than Hussein Clark
Dal 25 Gennaio 2022 al 12 Marzo 2022
Roma
Luogo: CURA. HQ I BASEMENT ROMA
Indirizzo: Via Ricciotti 4
Orari: Monday: 3–5 pm Tuesday-Friday: 2–6 pm Saturday: 3-6 pm
E-Mail info: hello@basementroma.com
Sito ufficiale: http://www.basementroma.org
CURA. HQ I BASEMENT ROMA
is glad to present THE DREAMERS: AN ECHOING—FILM PROGRAM Trisha Baga, Alex Da Corte, Jeremy Deller and Cecilia Bengolea, DIS, Cécile B. Evans, Mark Leckey, Anri Sala, Igor Simić, Colin Snapp with Mauro Hertig,
Nico Vascellari.
January 25–March 12, 2022
CAN ALTAY
THE DREAMERS LIBRARY STATION, 2022
A new commission by CURA.
January 25–March 12, 2022
THAN HUSSEIN CLARK
IN ALPHABETICAL GARDENS, 2020–ongoing
Episode 03
Online from January 25, 2022
THE DREAMERS: AN ECHOING—FILM PROGRAM
The Film Program, originally conceived for The Dreamers / 58th October Salon / Belgrade Biennale 2021, and slightly re-edited on this occasion, includes a selection of both historical works and new productions, most of which presented in Italy for the first time, pertaining to the personal sphere of the self-portrait and to the collective sphere of the historical tale, offering a meta-narration of moving images on the brink of a world in constant change, with its initiation rituals, illusions and disillusions, memory forgotten over time, and the urge of renewal.
January 25—28, 2022
CÉCILE B. EVANS
A Screen Test for an Adaptation of Giselle, 2019
January 31—February 2, 2022
IGOR SIMIĆ
Melancholic Drone, 2015
February 3—7, 2022
NICO VASCELLARI
Visita Interiora Terrae, 2020
February 8—11, 2022
COLIN SNAPP with MAURO HERTIG
Untitled, 2021
February 12—16, 2022
JEREMY DELLER and CECILIA BENGOLEA
Bom Bom’s Dream, 2016
February 17—21, 2022
ALEX DA CORTE
Blue Moon, 2017
February 22—February 25, 2022
ANRI SALA
Dammi i Colori, 2003
February 26—March 3, 2022
MARK LECKEY
Dream English Kid, 1964–1999 AD, 2015
March 4—8, 2022
TRISHA BAGA
The Voice, 2017
March 9—12, 2022
DIS
Everything But The World, 2021
CAN ALTAY
THE DREAMERS LIBRARY STATION, 2022
THE DREAMERS LIBRARY STATION (2022) is a setting commissioned by CURA. for the gathering of people and publications. Conceived by the artist Can Altay, the setting is called to display the ongoing collection of books selected by the participating artists of the latest edition of the Belgrade Biennale. The setting consists of a series of planks and chairs, forming bridges, shelves, stacks, and connections. As such, the station has the potential to get dispersed, concentrated, assembled, or spread around, in this space and others. This setting invites the visitors to hang around and stay awhile. The possibility of exchange and cohabitation among people and things is key.
THAN HUSSEIN CLARK
THE ALPHABETICAL GARDENS, 2020—ongoing Episode 03
In Alphabetical Gardens (2020—ongoing), is a 16 part audio play produced with The Director’s Theatre Writer’s Theatre and inspired by Susan Sontag’s 1963 novel The Benefactor, in which the protagonist Hippolyte lives according to the dictates of his oneiric activity, merging and confusing waking and dream states, imagination and reality. In Clark’s re-imagining of Sontag’s narrative, the action of the novel is moved from Paris to Belgrade and collaged with other found texts in the manner of Max Ernst’s Fatagaga series.
Online: curamagazine.com
is glad to present THE DREAMERS: AN ECHOING—FILM PROGRAM Trisha Baga, Alex Da Corte, Jeremy Deller and Cecilia Bengolea, DIS, Cécile B. Evans, Mark Leckey, Anri Sala, Igor Simić, Colin Snapp with Mauro Hertig,
Nico Vascellari.
January 25–March 12, 2022
CAN ALTAY
THE DREAMERS LIBRARY STATION, 2022
A new commission by CURA.
January 25–March 12, 2022
THAN HUSSEIN CLARK
IN ALPHABETICAL GARDENS, 2020–ongoing
Episode 03
Online from January 25, 2022
THE DREAMERS: AN ECHOING—FILM PROGRAM
The Film Program, originally conceived for The Dreamers / 58th October Salon / Belgrade Biennale 2021, and slightly re-edited on this occasion, includes a selection of both historical works and new productions, most of which presented in Italy for the first time, pertaining to the personal sphere of the self-portrait and to the collective sphere of the historical tale, offering a meta-narration of moving images on the brink of a world in constant change, with its initiation rituals, illusions and disillusions, memory forgotten over time, and the urge of renewal.
January 25—28, 2022
CÉCILE B. EVANS
A Screen Test for an Adaptation of Giselle, 2019
January 31—February 2, 2022
IGOR SIMIĆ
Melancholic Drone, 2015
February 3—7, 2022
NICO VASCELLARI
Visita Interiora Terrae, 2020
February 8—11, 2022
COLIN SNAPP with MAURO HERTIG
Untitled, 2021
February 12—16, 2022
JEREMY DELLER and CECILIA BENGOLEA
Bom Bom’s Dream, 2016
February 17—21, 2022
ALEX DA CORTE
Blue Moon, 2017
February 22—February 25, 2022
ANRI SALA
Dammi i Colori, 2003
February 26—March 3, 2022
MARK LECKEY
Dream English Kid, 1964–1999 AD, 2015
March 4—8, 2022
TRISHA BAGA
The Voice, 2017
March 9—12, 2022
DIS
Everything But The World, 2021
CAN ALTAY
THE DREAMERS LIBRARY STATION, 2022
THE DREAMERS LIBRARY STATION (2022) is a setting commissioned by CURA. for the gathering of people and publications. Conceived by the artist Can Altay, the setting is called to display the ongoing collection of books selected by the participating artists of the latest edition of the Belgrade Biennale. The setting consists of a series of planks and chairs, forming bridges, shelves, stacks, and connections. As such, the station has the potential to get dispersed, concentrated, assembled, or spread around, in this space and others. This setting invites the visitors to hang around and stay awhile. The possibility of exchange and cohabitation among people and things is key.
THAN HUSSEIN CLARK
THE ALPHABETICAL GARDENS, 2020—ongoing Episode 03
In Alphabetical Gardens (2020—ongoing), is a 16 part audio play produced with The Director’s Theatre Writer’s Theatre and inspired by Susan Sontag’s 1963 novel The Benefactor, in which the protagonist Hippolyte lives according to the dictates of his oneiric activity, merging and confusing waking and dream states, imagination and reality. In Clark’s re-imagining of Sontag’s narrative, the action of the novel is moved from Paris to Belgrade and collaged with other found texts in the manner of Max Ernst’s Fatagaga series.
Online: curamagazine.com
SCARICA IL COMUNICATO IN PDF
anri sala ·
nico vascellari ·
trisha baga ·
alex da corte ·
mark leckey ·
c cile b evans ·
jeremy deller and cecilia bengolea ·
dis ·
igor simi ·
colin snapp ·
mauro hertig ·
cura hq i basement roma
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