Anna Moro-Lin. The nature of things
![Anna Moro-Lin. La natura delle cose, Casa di Carlo Goldoni, Venezia Anna Moro-Lin. La natura delle cose, Casa di Carlo Goldoni, Venezia](http://www.arte.it/foto/600x450/e9/18935-aml.jpg)
Anna Moro-Lin. La natura delle cose, Casa di Carlo Goldoni, Venezia
From 13 Dicembre 2013 to 25 Febbraio 2014
Venice
Place: Carlo Goldoni's House
Address: campo San Polo 2794
Times: 10am - 4pm; wednesday closed
Ticket price: € 5/ € 3.50
Telefono per informazioni: +39 041 2759325/ 041 2440317
E-Mail info: press@fmcvenezia.it
Official site: http://www.visitmuve.it
The nature of things recounts the evolution of life, the dynamism of the world , animate and inanimate, that spontaneous motion that goes from order to disorder and in scientific terms is called entropy. Each system follows the Second Law of Thermodynamics (whatever system evolves spontaneously toward a state of maximum disorder ).
And starting from this reflection that Anna Moro -Lin built his project. Through the successive changes of the matter is that the more congenial , paper / gauze , the fiber , the artist sought to represent the changing nature of things, their fragility and perishability.
On a dais covered with a black cloth backed a strip of white textile material, collected at the ends of two coils of different sizes, it is displayed in its development in the screening of a video that is distinctly to indicate the passage of time. To the right and left are placed textile irregular shapes bleached, faded and brittle, obtained by bleaching, manipulation and reworking of earlier works. In their nakedness exhibit progressively wounds and signs of deterioration, to dissolve into fragments.
Two big books open in the center pages report the words of Lucretius freely drawn from De Rerum Natura. In fact it Lucretius explains how everything has its origin and foundation of the aggregation of bodies generative, or seeds, which are all creatures according to how they blend together and how they move. Once you reach the maximum increment , everything starts to disintegrate and return to the first elements of matter, which resume their movement by joining in other bodies .
The work of Anna Moro-Lin was achieved by subtraction, starting from the finite elements to get to the first, recognizing and saving at each stage of processing the value of "what remains".
And starting from this reflection that Anna Moro -Lin built his project. Through the successive changes of the matter is that the more congenial , paper / gauze , the fiber , the artist sought to represent the changing nature of things, their fragility and perishability.
On a dais covered with a black cloth backed a strip of white textile material, collected at the ends of two coils of different sizes, it is displayed in its development in the screening of a video that is distinctly to indicate the passage of time. To the right and left are placed textile irregular shapes bleached, faded and brittle, obtained by bleaching, manipulation and reworking of earlier works. In their nakedness exhibit progressively wounds and signs of deterioration, to dissolve into fragments.
Two big books open in the center pages report the words of Lucretius freely drawn from De Rerum Natura. In fact it Lucretius explains how everything has its origin and foundation of the aggregation of bodies generative, or seeds, which are all creatures according to how they blend together and how they move. Once you reach the maximum increment , everything starts to disintegrate and return to the first elements of matter, which resume their movement by joining in other bodies .
The work of Anna Moro-Lin was achieved by subtraction, starting from the finite elements to get to the first, recognizing and saving at each stage of processing the value of "what remains".
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