Rêvolutions
![Céleste Boursier-Mougenot, document préparatoire pour l'oeuvre <em>transHumUs</em> / projet <em>rêvolutions</em> pour le pavillon Francia à la 56ème Biennale de Venise 2015. Courtesy de l'artiste et Galerie Xippas, Paris; Paula Cooper Gallery, New york; Galerie Mario Mazzoli, Berlin. Dessin: Pauline Phelouzat 2015 Céleste Boursier-Mougenot, document préparatoire pour l'oeuvre <em>transHumUs</em> / projet <em>rêvolutions</em> pour le pavillon Francia à la 56ème Biennale de Venise 2015. Courtesy de l'artiste et Galerie Xippas, Paris; Paula Cooper Gallery, New york; Galerie Mario Mazzoli, Berlin. Dessin: Pauline Phelouzat 2015](http://www.arte.it/foto/600x450/50/32415-transHumUs_2C_20exte_C2_A6_C3_BCrieur_20deux_20arbres.jpg)
Céleste Boursier-Mougenot, document préparatoire pour l'oeuvre transHumUs / projet rêvolutions pour le pavillon Francia à la 56ème Biennale de Venise 2015. Courtesy de l'artiste et Galerie Xippas, Paris; Paula Cooper Gallery, New york; Galerie Mario
From 09 Maggio 2015 to 22 Novembre 2015
Venice
Place: Biennale Giardini / Pav. France
Address: Giardini della Biennale
Responsibles: Emma Lavigne
Organizers:
- Institut Français
- with Ministère de la Culture et de la Communication
“The French pavilion at the Venice Biennale is open to the elements, conjuring up in the Giardini the “follies” of the romantic parks of the 18th century. Now it has become the theatre of an apparition, of an experimental ecosystem that reveals a state of nature unlike any other. Under the skylight stripped of its glass and in its wooded walkways, Céleste Boursier-Mougenot offers the choreographic alchemy of three trees moving in time with their metabolism, variations in their sap flow and their sensitivity to light and shade. Behind these chimeras—these machine/nature hybrids—lies an animist vision of trees. As in Francesco Colonna’s enigmatic novel The Dream of Poliphilus and Primo Levi’s short story Dysphylaxis, we see trees metamorphosing into transhuman creatures suddenly liberated from their rootedness to the ground.
While rekindling the aspiration to the marvellous and the sense of wonder of Italian Mannerist gardens, Céleste Boursier-Mougenot lets his underlying political thrust filter through. His intention here is to commandeer systems used for controlling living beings and their movements and compose a poetic work offering humanity living spaces marked by liberty and unconventional beauty. Surrounded by trees whose electric rustling generates a real-time sound environment based on differential low-voltage current, the French pavilion is transformed into an open-air theatre: a refuge where the visitor can find a place to relax—to float, as it were, on the semicircle of the steps which imitate those of the portico but adapt to the shape of the body—in a harmonious continuum conducive to reverie and reflection.”
–Emma Lavigne, curator of the French pavilion, director of the Centre-Pompidou-Metz
While rekindling the aspiration to the marvellous and the sense of wonder of Italian Mannerist gardens, Céleste Boursier-Mougenot lets his underlying political thrust filter through. His intention here is to commandeer systems used for controlling living beings and their movements and compose a poetic work offering humanity living spaces marked by liberty and unconventional beauty. Surrounded by trees whose electric rustling generates a real-time sound environment based on differential low-voltage current, the French pavilion is transformed into an open-air theatre: a refuge where the visitor can find a place to relax—to float, as it were, on the semicircle of the steps which imitate those of the portico but adapt to the shape of the body—in a harmonious continuum conducive to reverie and reflection.”
–Emma Lavigne, curator of the French pavilion, director of the Centre-Pompidou-Metz
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